Monday, May 20, 2013

The Northern Ireland Labour Party: Labour And Loyalty In Ulster



One of the most pressing matters regarding political equilibrium in Northern Ireland off the back of the Belfast flag protests at the start of this year has been the future electoral viability of the Alliance Party - an organisation  whose existence and relative electoral success since 1970 has been one of the few determiners of normality in the province during the Troubles and afterwards.

Prior to the outbreak of violence in 1969 another group in the history of Ulster who briefly represented a bi-confessional and an albeit highly qualified political alternative to ethnic-orientated party politics was the Northern Ireland Labour Party.

Ten elections took place between 1921 and 1969 in the half century life of the Northern Ireland parliament - in 1921, 1925, 1929, 1933, 1938, 1945, 1949, 1953, 1958, 1962, 1965 and 1969. The story of the political face of Labour in Ulster in this period is one of political survival against schism, vilification and even physical danger.

Although the subject was analysed some years ago in a genuinely comprehensive and accessible study, it was alas published through a British academic print and thus priced way beyond the means of the decent and kindly post-Orgreave working man. The electoral fortunes of Labour in Ulster however are well worth reflecting upon again here, alike a recent post on the Ulster Vanguard movement in Northern Ireland, and especially since it likewise involved both representation in Belfast and at Westminster.

Following the partition of Ireland, and during the 1920 local government elections in the North,  the use of a proportional representation system had increased non-unionist representation in Northern Ireland. Abolition of PR by Stormont strengthened the unionist position while also placing restrictions upon matters of economic concern ever taking priority over the national question by way of local electoral consolidation for Independent Labour Party candidates.

In the first election for the 52-seat Northern Ireland parliament in  May 1921 all three anti-partitionist Labour candidates were Protestants - Councillor James Baird, John Hanna and Harry Midgeley. The first two had been expelled from the Belfast shipyards during the Troubles of the period and their campaigning took place under both intimidation and threat from loyalists. Compared to the 1920 local elections they fared disastrously and only mustered a joint total of 1,877 votes. Conversely three members of the Ulster Unionist Labour Association -  umbilically linked to the main Unionist Party and often the source of extreme political invective and rhetoric in itself - did win seats. These were taken by Sam McGuffin, Thompson Donald and William Grant while three Westminister Ulster Unionist seats were also given over to UULA members in the 1918 General Election.

In 1924 the Labour Party was formed and attempted to maintain a neutral stance on the border issue. The 1925 election in Ulster - strategically used to strengthen Premier James Craig's hand against the the Boundary Commission considering changes to the Irish border at this point - saw the governing Unionist Party lose five seats to independent unionists and a tenants’ candidate. Labour in turn won three seats - Jack Beattie in East Belfast, leader Sam Kyle in North Belfast and William McMullen in West Belfast. All three again were Protestants and Labour became the official opposition at Stormont as nationalists slowly returned.

The Unionist Party itself viewed the independent unionist victories in particular as a divisive development which could fundamentally undermine the Protestant working class support base and was a direct factor in the abolition of proportional representation for Stormont elections in 1929 - Labour and the nationalists uniting unsuccessfully against the proposal.

With the Protestant electorate now facing the realisation that a split vote could potentially hand victory to an anti-partition candidate, the status of the Union was underscored as the central political factor for consideration in the unionist-nationalist battleground. The 1929 Stormont election would thus see the Unionist Party winning six more seats than four years previously. The Labour threat had been turned back with Jack Beattie alone retaining his seat in Belfast Pottinger though Kyle lost only narrowly in Oldpark and the cumulative Labour total was still a respectable 20,516.

Large scale civil unrest in Belfast - and indeed across the religious divide - accompanied both the Outdoor Relief and railway strikes of 1932. During an emergency Stormont sitting in September to discuss unemployment the then Labour leader Beattie had memorably thrown the mace  at the Speaker with the stirring admonition "I absolutely refuse to sit in this House and indulge in hypocrisy while the people are starving outside."

Labour representation doubled in the 1933 election with Harry Midgely winning in the Catholic Dock ward -  the partnership between the two MPs would not last long however with Beattie being expelled from the party for refusing to move the writ on the Belfast Central election following the death of Nationalist leader Joe Devlin. This in light of his earlier close work with the Nationalists and in respect of his small majority in Pottinger ward which included the Catholic Short Strand. Beattie was readmitted to the party in 1942.

During the last election before the Second World War in 1938, the millionaire WJ Stewart and his Progressive Unionists played a populist card with stress on the unemployment issue and the need for agricultural reform and a housebuilding programme. Predictably all 12 candidates – branded as “wreckers” by the Unionist Party leadership and unrepresentative as mainly liberal-minded businessmen and professionals - were to fail. In this election Midgely lost his seat in Dock as directly linked to public conflict in the constituency over his support for the Republicans in the Spanish Civil War as opposed to Catholic clerical support for Franco. Midgely would certainly not forget the especial circumstances of his exit. Beattie on the other hand was relected as an independent Labour candidate while sometime future NILP leader Paddy Agnew became the first Catholic official Labour MP winning the nationalist-boycotted South Armagh seat.

During the course of the Second World War itself in 1943 the Northern Ireland Prime Minister Basil Brooke brought the labour figures Harry Midgley and William Grant into the cabinet as Minister of Public Security and Minister of Labour respectively.  Former NILP leader Midgley had left the party in December 1942 over the vexed partition issue to form his own pro-Unionist Commonwealth Labour Party. He had returned to Stormont as an MP again following a by-election win in December 1941 in the Protestant Willowfield ward of East Belfast though tensions with Beattie in the three-man parliamentary team had arisen again.

Overall twice leader Jack Beattie himself won the West Belfast seat at Westminister in February 1943 providing the Labour Party with its highest profile success in a period where it would stand to the left of even the Communist Party in refusing to press for an emergency wartime coalition government during the political crisis within unionism that saw Brooke take over the premiership from J M Andrews. Instead they called for a general election which would certainly have seen the Ulster Unionist Party lose several seats to Labour. Beattie was to be expelled from the Labour Party yet again in 1944 and for similar reasons to his earlier expulsion - he refused to press for a Senate by-election when a nationalist senator died. He thus held the West Belfast seat on two occasions - 1943-50 and 1951-55.

Harry Midgley meanwhile – certainly the most long recalled labour figure in Northern Ireland history and a genuinely vociferous critic of the unionist leadership as Labour MP for the religiously-mixed Dock ward during the 1930s – formally joined the Unionist Party in 1947. Midgley the "Unionist Evangelist" served as Minister of Labour and Minister of Education from 1949 and would in the latter part of his life join the Orange Order and become a director of Linfield Football Club. The Commonwealth Labour Party expired with his departure.

The June 1945 Stormont election saw the Unionist Party campaign on a broadly anti-socialist platform of opposition to Labour’s plans for nationalisation and planning while at the same time promising to introduce any social reforms passed at Westminster into Northern Ireland. In this election Robert Getgood and then party leader Hugh Downey won seats at Stormont for Labour in the Belfast constituencies of Oldpark and Dock though Agnew lost his in South Armagh. The following year official Labour Party representation at Stormont rose to three again with the election of Frank Hanna in a Belfast Central by-election. At this stage the Labour Party had still failed to win in a fully Protestant electoral ward. Former Labour Party members Midgely and Beattie retained their seats in Willowfield and Pottinger - the pair had come to blows in Stormont in 1945 leading to the former's suspension.

With the south formally declaring full republic status in late 1948 another election was called in Northern Ireland the following year in an atmosphere of extreme tension. The “Chapel Gates” election, so called because of the Mansion House conference decision in Dublin to collect voluntary donations outside southern churches for anti-partition candidates in the north, solidified the unionist bloc. Campaigning took place against a background of fierce intimidation towards the labour candidates not dissimilar to 1921. Getgood and Downey lost their seats while Hanna retained his but only as an independent labour candidate.

The party organisation then splintered over the partition issue with a now firmly pro-Union Northern Ireland Labour Party emerging and as opposed to an anti-partitionist Irish Labour Party which still included a substantial Protestant membership including Beattie who had lost his Pottinger seat. The opposition in Stormont now became fully Catholic and the British government reaffirmed Northern Ireland’s constitutional status in the 1949 Ireland Act.

In the 1953 Stormont election no less than five variations of Labour stood for election - the Irish Labour Party won a seat in Dock alongside a Socialist Republican in Falls though the party itself would have faded away by the late Fifties.

A major period of sustained Republican violence took place between December 1956 and February 1962 in Northern Ireland with eight IRA volunteers, six members of the RUC and two B Specials being killed. During the Border campaign in 1958 the NILP made a major electoral breakthrough by winning four Stormont seats in Belfast – leader Tom Boyd in Pottinger, Vivien Simpson in Oldpark and Billy Boyd and David Bleakley in the staunchly Protestant Woodvale and Victoria .  The latter two victories, as won by ex-shipyard workers and lay preachers, were with small majorities. Being unequivocally pro-partition since 1949 - and constantly firm on law and order issues - they would focus on the recession problems affecting agriculture, shipbuilding and the textiles industry. The NILP became the official opposition and in the 1962 election in Northern Ireland they doubled their Belfast vote to over 76,000 votes and held onto their four seats with increased majorities. This however would prove the limit of their electoral viability as a protest vote.

The NILP had theoretically represented a new Protestant and Catholic working class alliance to tackle socio-economic problems within the Stormont system. However in reality its gathering support since the late 1940s was mainly founded on Protestant working class voters who viewed its unionist credentials as essentially sound. Its gathering Catholic support over the unemployment issue from the late Fifties onwards had in turn attracted liberal Protestants of all classes in terms of its non-sectarian appeal. It is certainly important to underscore the fealty of all the NILP MPs at this time to the Northern Ireland state, the Union and stern security measures to defend both as opposed to any full frontal assault on sectarianism, discrimination or partition.

In the early 1960s economic recovery proved elusive and indeed Brookeborough’s successor in 1963, Terence O’Neill, would utilise many of the NILP’s policies about combating unemployment and the contraction and collapse of the three core industries.

The Labour vote was still holding strong at this time with 103,000 votes but no seats at the October 1964 Westminster election. However the November 1965 Stormont election which O’Neill called to consolidate his position, which was already attracting undue negative reaction from some unionist quarters, saw the NILP vote plummet. Only Boyd and Simpson's Pottinger and Oldpark seats would be retained as the Labour vote fell by 10,000 from its 1962 performance. Bleakly lost his seat by only 423 votes.

O’Neill’s focus on economic recovery for the moribund northern economy - and especially his desire for co-operation with the trade unions and Sean Lemass’ Republic of Ireland - placed him almost to the left of the NILP. Within the party a distancing was also gradually occurring between the more left-wing members and the pro-unionist MPs David Bleakley and Billy Boyd who seemed to embody a Belfast-orientated and sabbatarian Protestant image inimical to broadening the support base.

This came to a head over the “Sunday swings” controversy of late 1964 where Woodvale NILP representatives were expelled and then readmitted to the party. Divisions also took place within the NILP over the election of former IRA member Paddy Devlin to the party executive, the decision to contest seats in majority nationalist areas and a NILP proposed private members bill in Stormont in 1964 to outlaw religious discrimination.

Hence even before the slide to civil unrest and terrorism began in 1968, the fall in unemployment in Northern Ireland and the appeal of O'Neill's qualified rapprochment with the nationalist community undercut support for the NILP from both working class "extreme" unionism and middle class "liberal" unionism alike. The leftward swing within the NILP towards civil rights  issues would continue to gain pace in the latter half of the 1960s. In the final Stormont election in  February 1969 then leader Vivien Simpson once again held Oldpark though the Pottinger seat in East Belfast was lost to the Unionist Party. Former IRA member Paddy Devlin also won a seat for the NILP in the Catholic Falls constituency.

With the arrival of alternative political choices such as the Social Democratic and Labour Party, Alliance and the Democratic Unionist Party at the start of the 1970s the political voice of Labour in Ulster would thus gradually fade into history. There would however be one worthy electoral postcript in the June 1970 Westminister election when - even with Republican violence mounting and communal cleavage widening - the NILP won no less than 98,194 votes or 12.6% of the vote. In the final Northern Ireland government headed by Brian Faulkner a Minister of Community Relations role was created and given to David Bleakley. Bleakley would also be elected to the Northern Ireland Assembly in June 1973 - where Paddy Devlin served as SDLP Minister of Health and Social Services in the power-sharing Executive - and to the Constitutional Convention in May 1975. These were both for  the East Belfast constituency and with 4,425 and 3,998 first preference votes respectively.

Today the NILP are rarely mentioned beyond some spurious politcal analogies with the Ulster Volunteer Force-linked Progressive Unionist Party. Although the highpoint of their political imprint in Northern Ireland in 1925 and 1958 was based on only three and four MPs respectively in Stormont, their performance at Westminister elections during the span of the Forties, Fifties and Sixties was also impressive. This in light of the first-past-the-post electoral system and aside from Beattie's election victories in West Belfast. Strong returns could be noted throughout these years in the North and East Belfast constituencies with around 35-40% of the vote and a peak at the 1945 and 1966 elections. In 1945 Tom Boyd won 43% in East Belfast and the NILP 44% in North Belfast - in 1966 when the first political assassinations took place in Belfast the Labour vote in East Belfast for the General Election was 45% and 42% in North Belfast.

The politicians who represented Labour and the Northern Ireland Labour Party in the late Stormont parliament are mostly long deceased. Harry Midgely died in 1957, Paddy Agnew in 1958, Jack Beattie in 1960, Sam Kyle in 1962, Robert Getgood in 1964, Vivien Simpson in 1977, William McMullen in 1982, Frank Hanna in 1987, Tom Boyd in 1991 and Paddy Devlin in 1999. David Bleakly and Billy Boyd are still alive to my knowledge thought I am unable to confirm biographical details for Hugh Downey who was an uncle of Provisional Sinn Fein leader Danny Morrison.

The NILP folded as a political organisation in 1987 while in the entire history of the Northern Ireland state, and indeed thereafter, the British Labour Party refused to organise or stand for elections in this part of the United Kingdom.

The Northern Ireland Labour Party thus remaining a sobering memory of a genuine class-based political alternative for a country fractured upon religion, ethnicity and nationality. Likewise another melancholy reflection of a period of British social history when concern for the well-being of labour and the working man was a fundamental priority both for any government aspiring to societal equilibrum and for any party of labour seeking office.

Wednesday, May 8, 2013

Britain's Real Food Heroes - Keith Floyd and Mr Tayto



As a healthy lifestyle choice I watch as little television as humanely possible. Unfortunately on two occasions recently I have briefly caught some particularly nauseating material by default. We had the new series of The Apprentice where some deeply disturbed twenty-somethings prostrate themselves with submission and self-loathing in front of an angry businessman - not unlike terrified young teenage prison inmates in front of a leering Mr Big and his National Front skinhead henchmen. Then there was the semi-final of Masterchef where contestants risked a stress coronary to have their experimental dishes critiqued by bloated and loathsome pigs from the national press - the same professional reviewers whose work caters to the demographic that has brought the country to its knees and offered up the suitcase or the coffin for the rest of us left on a water, baked beans and Monster Munch diet.

Conversely a few days ago I was watching a charming edition of Keith Floyd's Floyd On Spain programme set in Majorca. It would appear that most of Keith Floyd's television output currently available on DVD (the seven series on wine, Scandinavia, the Mediterranean, Africa, Italy, South East Asia and Spain) is from the latter half of his career between 1992 and 2001 unlike the earlier BBC series once oft-repeated on satellite television -  Floyd on Fish, Floyd on Food, Floyd on France and Floyd on Britain and Ireland. These transmitted between 1984 and 1988. There was also a Floyd on a Pub Run (1985), Floyd's American Pie (1989), Floyd On Oz (1991), Capital Floyd (2000)  and Floyd's India (2001) along the way. The production values of the sixteen series can leave much to be desired on occasion - and many times the finished food itself doesn't look especially appetising - but the sheer charisma, cheek and cool of the man is still wonderful to behold.

Some amazing moments in hindsight like Floyd cooking up an authentic Roman centurion's pork stew dinner near Hadrian's Wall for a local historian and throwing away the ghastly concoction and the plate itself at first bite, walking into a Welsh rugby club in sporting attire and upending the entire contents of the cooking pot full of cawl on the floor in front of the assembled teams when he fell on his arse and the marvellous way he handled a verbal bashing from a sneering French she-vampire cook over the crappy quality of his own version of piperade. In an earlier post I also referenced the brilliant use of music by The Stranglers throughout and especially the scene in possibly Biarritz where he walked along the beach and replaced a French dirge in the background with Hanging Around by way of a a comedy vinyl scratch. The Stranglers music used in some of the series was mainly Waltzinblack, Peaches and Viva Vlad. Floyd's various autobiographies provide genuinely entertaining reading and, alike George Best, he remains a public figure who instils a genuine feeling of regret and loss that he is no longer here with us. Keith Floyd died in September 2009 while watching a documentary Keith Meets Keith about his life in Avignon France - he was only 65.

On the subject of Best, during the Ulster Troubles of the Seventies there was little for the people of Northern Ireland to be proud of in truth aside from the Manchester United star, Olympian Mary Peters (Freeman of Belfast on this very day) and Mr Tayto the potato crisp legend. What Ulster person could ever forget his contribution to healing and inclusiveness over the course of the conflict as he personally peeled, cut, fried and flavoured hundreds upon hundreds of thousands of packets of crisps at Tayto Castle in County Armagh. Tayto Castle - "Deep in the heart of Ulster's countryside" to directly quote the old blurb on the back of the packet - in fact is a factory beside Tandragee Castle where American soldiers of the 28th Cavalry Squadron, 6th Cavalry Group, 3rd US Army were stationed prior to D-Day.

I finally managed to clarify yesterday that on the island of Ireland there are actually two Tayto brands from two separate companies - the Northern Irish version was founded in 1956 and the Republic of Ireland one earlier still in 1954. During the 2007 General Election in the Republic the Tayto brand ran an advertising campaign with the legendary Mr Tayto as a mock candidate. Apparently several spoiled papers in the Carlow-Kilkenny constituency were altered to a vote for the potato personage himself by some very politically astute swing voters. When the southern Tayto company tried to market their product in England and Wales they encountered difficulties as the Ulster brand owned the legal right to trade under the name in the UK. From a cursory look at both websites it would appear that cheese and onion is the classic flavour of choice in both states. In terms of the branding, the southern Irish Mr Tayto is almost late-Fifties in stylistic appearance while the northern equivalent seems more early Seventies and cartoonlike in form.

Some years ago during the mass grounding of European aviation off the back of Icelandic volcano ash Mr Tayto himself was present at the national airports in Northern Ireland to welcome home the hordes of weary and frustrated passengers with a variety of reviving crunchy treats. Tayto truly is The Taste of Home no less and always will be. I was conversely stranded in Northern Ireland at this time and was only welcomed back to London Heathrow with faces etched with fear, misery and hostility. And that was just the groundstaff.

In light of the recent chaos in Northern Ireland over government compliance with proposed care home closures - magnificently overturned by public outrage and a particularly incisive coverage by the BBC Northern Ireland Stephen Nolan Show on the subject - perhaps the hand of history is upon us again. Alike James Craig and Michael Collins in the early Twenties or Terence O'Neill and Sean Lemass in the mid-Sixties. On an island fractured by financial collapse, recidivist paramilitary threat and sectarian loathing perhaps Mr Tayto and Mr Tayto alone - shaking smokey bacon hands across the border and exchanging multi-flavour variety packs or even cool branded merchandise  - could bring a fresh understanding between the sadly divided peoples of Ireland.



Saturday, May 4, 2013

Van Morrison - The Solid Ground




Last week I read a review by music journalist Gavin Martin of a September 2012 Van Morrison concert which took place as part of the East Belfast Arts Festival. I found this so interesting as it related to Johnny Rogan's critical No Surrender biography from 2005 which I mentioned in an earlier post. This traced the influence of that particular urban conurbation throughout his recorded output. During the concert Morrison performed the songs On Hyndford Street and Orangefield - both of which mention locales from his youth by way of his own childhood residence off the Beersbridge Road and the secondary school he attended.


Martin also references the the Protestant and loyalist political complexion of East Belfast in the piece:


In the afternoon the hinterlands that provide the setting for Van's artist treasury, his actual theatre of dreams, hosted marching bands from a local tribal tradition. A companion, not of the tradition, had remarked how she was (unexpectedly) impressed by the rhythms these assemblages mustered. Come the evening, after we'd watched the evening sun sink behind Cave Hill, shadowing the city from the North, Van was proving that he was one who had always moved to the beat of a decidedly different drum of many "decidely different" drums. The man in pork pie hat, his neck swathed in an admirably protective maroon scarf, the man they simply call The Man - the greatest and most enduring of all East Belfast local heroes - was back onstage in his old stomping ground for the first time since the 60s.


I saw Van Morrison live on six occasions here in a very different London during the late Eighties and early Nineties - including a brilliant performance with The Chieftains at the Riverside Studios in Hammersmith and one at the Royal Albert Hall during the Avalon Sunset tour. Been revisiting his material quite a lot recently in turn by way of the great lost Mechanical Bliss album from the mid-Seventies which can now be accessed on youtube. Some very raw hard rock blues jams to be heard here - on You Move Me, Feedback On Highway 101 and Not Working For You - that remain utterly unique within Morrison's work. The album also includes the extraordinary title track as delivered in rambling aristocratic style worthy of our current rulers in Austerity Britain, the driving funk of Naked in the Jungle,  jazz instrumental Much Binding In The Marsh and an original version of The Street Only Knew Your Name which ranks with anything else in the artist's magnificent back catalogue - indeed truly as priceless as the equally reflective Madame George, And It Stoned Me, Saint Dominic's Preview, Linden Arden Stole The Highlights or Irish Heartbeat in my opinion.


Rogan's work incorporated a narrative on the political violence in Ulster which ran in parallel to Morrison's career. One young fan of the Belfast group Them remembered the early days of rhythm and blues at the Maritime Hotel in the city's College Square North long before the fractures of late 1968 and the summer of 1969 put the Northern Irish working classes at each others throats for thirty years: I knew those days were special and everybody there knew those days were special. There was such an aura about those times in Belfast - and it was never to be repeated. Ever.


Morrison's direct musical influence can obviously be pinpointed within songs as disparate as Bruce Springsteen's Rosalita, Thin Lizzy's The Boys Are Back In Town and Graham Parker's Silly Thing. That mark of a totally unique creative imprint may in turn be traced back to the very beginning of his career. Thus for all of Morrison's own qualifications of Them living and dieing on the Maritime stage - or indeed the clear fact that lineup changes within the same group were so bewilderingly labyrinthine as to replicate the divisions within the labour movement in Belfast in the first two-thirds of the 20th Century - the singles Baby Please Don't Go, Mystic Eyes and Gloria have not dated in the slightest. Likewise the Phil Coulter-penned garage classic I Can Only Give You Everything, the definitive cover of Dylan's It's All Over Now Baby Blue or even the long unreleased Mighty Like A Rose remain equal to anything else in the Sixties cannon of British beat music.


The brief period of recording for Bert Berns' Bang label in America - mainly recalled by way of the Brown Eyed Girl hit - still contains fascinating content such as the lengthy TB Sheets used throughout the movie Bring Out Your Dead, Joe Harper Saturday Morning about the Maritime's caretaker and Belfast's own version of La Bamba in Chick-a-boom - the latter to be covered by the Brazilian group Os Cleans in 1968. The Bang recordings in particular are utterly unforgettable for the thirty or so very brief acoustic recordings later released as Payin Dues - the political reasons behind their creation, purpose and execution representing a high water mark of creative revenge.


The 11 albums Morrison released between 1968 and 1979 remain one of the best examples of sustained high quality musical output in modern times from a solo artist alongside those of  David Bowie and Neil Young - Astral Weeks (1968), Moondance (1970), His Band and Street Choir (1970), Tupelo Honey (1971), Saint Dominic's Preview (1972), Hard Nose The Highway (1973), the live It's Too Late To Stop Now (1974), Veedon Fleece (1974), A Period of Transition (1977), Wavelength (1978) and Into the Music (1979).  Astral Weeks and Veedon Fleece - which reached numbers 140 and 41 on the UK album charts respectively - contain extraordinarily ethereal and introspective moments that still defy description. Indeed both albums - alongside Moondance, St Dominic's Preview and the concert album recorded in London and California - are regarded as classics to this day. Although 1980's Common One serioiusly divided critical opinion - alongside other selective output from the early Eighties onwards - the 1986 No Guru, No Method, No Teacher surely stands as the sixth truly great album in his back catalogue.


Morrison's music so often focuses on the vicissitudes of time and memory, recall and loss that constitute such a mainstay of  the human experience. Several pieces of public commentary attached to uploads of And It Stoned Me alone capture this perfectly:


I had 2 friends when I was a boy and teen. I thought we would be together forever. Forever was 12 years 45 years ago. Who knows which way the wind blows and the water flows? The last time I saw them was 32 years ago. Which every way I turn now they are right in front of me in my mind's eye. How can time be so cruel when you can't go back? Those 2 were cousins and there is a veil between them over family matters or what's left of it. Van knows about these things else how could he sing so much about it.


It's amazing how hearing a song takes you back to time in life where you can smell what you smelling and remember who you were with the first time you heard it. Makes my hair stand up...


One of my favorite memories was being a young girl and hanging out with my father and two younger brothers in our basement listening to this album and spending time with Dad. We could never hear this reel-to-reel enough times. My dad introduced us to the best music and we loved listening. There was so much love among us and I'll never forget those amazing memories. Thanks Dad and Van.


I swear the joint i just had didn't have any influence on the fact that i just cried my eyes out to this song. so beautiful man.


My brother would play this album through the night in the next room when I was a boy...Amazing sounds coming through the walls, good memories. Thanks Tom...I miss ya...


Hope someone thinks of playing this song when i'll be dead and even while i'll be dying, please Lord let somebody remember of this for i'm so alone; Thank you to anyone remembering this.


Being away from home and the ones we love can be hard. When time presents itself before us to go home, even the smallest of things in memory can elate and create reality's and dreams of such comfort, it can stone us to our soul. I am away, and can never return and I can say for sure. I feel like I am being stoned.


Reminds me of my best uncle and best friend, driving to the driver having this song on repeat and just having the best time three guys can have. I miss them both and the river is full of only memories now.


I remember fishing with my little brother, walking down the county line from our house to the river. The rain started pouring down, but only in the corn field next to the road. slowly the rain moved onto the road, but had such a straight line along the road that I stood in the rain getting soaked, and my brother stood on the other side, completely dry. only lasted for a few minutes before everything was getting rained on, but it was one of those moments I'll remember forever. like it stoned me.


Alike the folk memory of George Best in turn - the former Junior Orangeman from the Cregagh Road - Morrison's music also fundamentally and atmospherically connects with affection and warmth to a specific time and place and thus towards a Fifties and Sixties Belfast long lost to deindustrialisation, sectarian community division, depopulation and terrorist destruction. 

Northern Irish references to the Ulster countryside and the great port city of Belfast can be found in many Morrison songs throughout his career - Madame George, Cyprus Avenue, Saint Dominic's Preview, Hard Nose The Highway, Kingdom Hall, Celtic Ray, Northern Muse (Solid Ground), Cleaning Windows, Connswater, Sense of Wonder, Got To Go Back, Coney Island, Too Long In Exile and Ancient Highway.

The deeply spiritual and life affirming music Van Morrison produced in a single decade between the late Sixties and late Seventies can yet transcend our times of greed, directionless, lies, angst and rank ignorance. Its power to touch the souls of the undimmed grows stronger by the day.


Away from Denmark...way up to Caledonia...and we sailed and we sailed and we sailed....all around the world...looking for a brand new start.